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One of the earliest mainstream comics to feature gays or lesbians appeared in 1980. (As part of her new back story, she leaves the military because she refuses to lie about being a lesbian.) She eventually fell into obscurity, but was rebooted in 2006. The character of Batwoman was introduced that year as a love interest for the Caped Crusader. The book helped inspire congressional hearings and led to the creation in 1956 of the Comics Code Authority, in which the comics industry set standards on what comics could depict. In one section, Wertham described Batman and Robin as “a wish dream of two homosexuals living together.” It has been a steady evolution for an industry that had moved to censor itself in a number of ways after “Seduction of the Innocent,” a 1954 book by the psychiatrist Fredric Wertham, raised concerns about sex, gore and violence and suggested a link between reading comics and juvenile delinquency. But the strides of the last half-century or so deserve to be celebrated. Obviously, there are still many barriers left to breach, and much work to be done to achieve true equality in Hollywood. In 2022, we’ll see Billy Eichner’s Bros, the first romantic comedy penned by an openly gay man for a major studio, while the great Billy Porter will make his directorial debut with a story about a trans high school student. So, too, have the opportunities for queer stories written by and for the queer communities. Over the last few decades or so, though, the scope of LGBTQ+ experiences depicted on film has expanded greatly. Inasmuch as gay lives and issues were ever allowed to be addressed on screen without devolving into gross stereotypes, for much of the past century, the perspective was limited to that of white, cisgendered men. “Is the school committing itself to ideologies which are contrary to Catholic teaching? If so, is it still a Catholic school?” he asked. “And, while we teach that everyone is created in the image and likeness of God, gay pride flags are often used to stand in contrast to consistent Catholic teaching that sacramental marriage is between a man and a woman,” the bishop continued. “We do not teach that in our schools,” McManus said. “While the Catholic Church joins with our nation in teaching that all lives are equal before God and the law and that all lives demand our respect regardless of race, gender or ethnicity, the flag with the emblem Black Lives Matter has at times been co-opted by some factions which also instill broad-brush distrust of police and those entrusted with enforcing our laws. “While our role in a school is not to convert those who are not Catholic, nor is it our role to deny our Catholic identity,” he added. While noting that “symbols can mean different things to different people,” McManus said that “as the Bishop of this diocese, I must teach that it is imperative that a Catholic School use imagery and symbols which are reflective of that school’s values and principles so as to be clear with young people who are being spiritually and morally formed for the future.” |
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